One Day I Wrote Her Name…

One Day I Wrote Her Name…


The Text of the Poem

One day I wrote her name upon the strand,

But came the waves and washed it away:

Agayne I wrote it with a second hand,

But came the tyde, and made my paynes his pray.

Vayne men, sayd she, that doest in vaine assay,

A mortall thing so to immortalize,

For I my selve shall lyke to this decay,

And eek my name bee wyped out lykewize.

Not so, (quod I) let baser things devize

To dy in dust, but you shall live by fame:

My verse your vertues rare shall eternize,

And in the hevens wryte your glorious name.

Where whenas death shall al the world subdew,

Our love shall live, and later life renew.

With Amoretti Spenser descended on the permanent paradox, namely the principle of change inherent in nature that causes merciless mutations to everything in this world. This is a paradox which baffled the European intellectuals historically since Ovid. The problem became acute with Renaissance thinkers as they were mainly concerned with the glorification of the self and were seeking to hold onto something that could give resistance to the effacement of the personality caused by time. The popularity of Neo-Platonism can be accounted for by the fact that it provided a clean way out of the clutches of time or the temporal. The urge to seek the resolution can be also found in the artistic scheme of the poets, deliberately making the structure symbolic of certain specific doctrine. This is no less evident in Spenser’s Amoretti, which can be read as a symbolic structure in which the lover’s attainment of his beloved is symbolic of the manifestation of divine beauty.

The sonnet no. 75 (One Day I wrote Her Name…) derives its singular belief from Ovid’s Metamorphosis, where he claimed to have found permanence in the monument created by art. Spenser begins the sonnet with a simple yet archetypal and obsessive and symbolic act on the part of a lover:

“One day I wrote her name upon the strand,

But came the waves and washed it away…”

Undeterred the poet tried for the second time; but in the same way his second attempt was futile. Seeing her name thus being repeatedly wiped out, the beloved reminded him that he was trying to immortalize a mortal thing as like her name she would also one day be wiped out from this world:

“Vain man”, said she, “that dost in vain assay”

A motal thing so to immortalize…”

Unusually for a Renaissance lady, the beloved has been given a voice here, and she seems to understand the symbolic and archetypal significance of the waves leveling the sand. The evidence of the destructive properties of time available in the natural world has been grafted on to the context of the human world by the beloved. Not only that, she does reproach the lover for this. This provides the poet with the intellectual necessity to answer her in the sestet.

In the sestet the lover hurries forth to silence the beloved and resolve the tensions created in the octave. Typical with a renaissance poet, the answer lies in the Neo-Platonic idealization of the beloved. The speaker starts with a belief of the renaissance alchemy that baser elements naturally perish in the dust. For Spenser, however, “baser things” symbolize the earthly things subject to decay and death. What he seeks to immortalize is not the physical beauty of the beloved, but those spiritual qualities which provide the beloved with spiritual beauty. The poet is hopeful that his verses will be able to eternize the memory of the beauty of the beloved and transfigure her into a heavenly being.

“…you shall live by fame

My verse your virtues write your glorious name.”

Thus he thinks that he will be successful in preserving her name even after the world is destroyed in the Apocalypse.

The most important assertion, however, comes in the concluding line, in which the poet wants to use this kind of idealization as a way to preserving and immortalizing their love. He hopes further that this will help them to transcend their mundane existence and find a permanent place in the divine scheme of things:

“Where whenas death shall all the world subdue,

Our love shall live, and later life renew.”


  1. One of the most beautiful poems ever.

    good job on the analysis.


  2. Anonymous

    Excellent analysis, but anything about the rhyme scheme & imagery?

  3. Anonymous

    Excellent analysis, but anything about the rhyme scheme & imagery?

  4. Anonymous

    I second that….analysis is great but anything about the rhyme scheme & imagery?

  5. Anonymous

    the rhyme scheme would seem to be Shakespearean: abab cdcd efef gg.
    for me, the imagery would be a couple walking alongside the beach discussing about life and immortality and how much the speaker love her hope this helps 🙂

Leave a Reply

Be Connected on Facebook

You can get automatic updates on our new contents